The last time my father—although it was both of them, my parents, at least the united front they always maintained that always looks increasingly superficial in hindsight—used words that so diminished my experience, I blacked out.
All I remember hearing was something about
Why is this such a big deal?
And the description:
...Some fondling
I’ll never forget that word: fondling. I’ve never used it since. When I see or hear it, it’s like smelling a liquor that almost killed you from heaving sickness. It’s like being hit by an incinerator door thrown open in my face. I want to turn, duck, cover. It makes me remember the flash of pure fury before I blacked out.
When I came to, I was tucking crisp printed pages underneath their door. I didn’t remember anything. I let the edges of the paper fall from my fingertips and went to my room, jumped onto my bed, pulled out my beloved word processor (yes, children, we had computers. It was 2006. But I was partial to these. Only four lines visible. No distractions. Lightweight.).
I started reading what I didn’t remember writing. What I printed. What I put down under the door. I had traversed five flights of stairs and over two hours of time. But I didn’t remember anything at all.
I was reading first person accounts of the abuse. Vignettes of memories. Now that I remember so much more, stopped pushing away the ones that truly scare and disgust and shame me, these were tame. But all things are relative. I don’t remember them being tame in the moment. I remember them being clear and raw and beautifully transposed and ruthless in the unflinching gaze of their narrator, little 4-6 year old me (roughly). There were three pieces. The last one ended with implications and questions that even now I recognize as illustrating, as cruelly as possible and in my own teenage voice, horrific and glaringly obvious answers that would turn anyone’s stomach, but especially theirs. About the other kids. About families who suddenly wouldn’t have anything to do with ours.
These pieces came together to form one clean message from me to them:
Tell me: what part of my experience did you believe you knew anything about at all?
This is why, above any other reason, I chose writing over math.
I consider it an old and powerful magic. I can transport you. I can cut you. I can make you cry tears of joy. I can engineer the inside of your mind. I can make you feel what I want you to feel and see what I want you to see. I can take you back in time. In writing, I control everything. I don’t need to be close. I don’t even need to be alive. When you begin to read, you’re in a world of my making, and I dare you to pull away. I dare you to feel nothing. I dare you to come out of my world untouched.
I’m not sure what I will do this time, but no more blacking out.
My parents were forever shaken, afraid, haunted by those pages. I said nothing. They said nothing. But their faces were white and taut and newly lined whenever they saw me. They saw me. Just a sliver. For the first time. They saw a flash of the inside of my life, their fifteen-year-old straight A college student who did her homework on weekends and holidays and worked nights and played violin and cooked all of her rapist’s meals in addition to half of theirs.
I wasn’t bad at fifteen. I wasn’t. But I was dissociative and emotional and unfocused and young and barely uncovering what happened.
I don’t know what I will show him. A thousand betrayals he perpetrated glimmer in my mind like the strobing streamers of projector lights filtered through film. Then there is the grisly stuff—fellatio, foreign objects, getting on top of my brother’s naked body, and the other boys who heard the rumors and would lie in wait to snatch me, take me behind the dumpster, force me on my knees, pull pff my clothes. The older girls who thought this was “attention,” kicked me to the ground after I was raped by three boys taking turns. I’m three, four, five, maybe six by the time the girls started noticing this “attention.” I was hunted everywhere. My house. My synagogue. My street.
I remember being about five when a family friend came over, and she bent down, hugged me, and gave me a pat on the tuchus, they’d say. She always did this. She was the wife of the man I considered a second father. She did nothing wrong, nothing different.
But then I’m screaming, shrieking, crying, hiding as far as I can behind the couch, hiding my face, begging for help.
The adults, including my parents, were shocked. What was the matter?
I just remember saying I couldn’t go back to the synagogue. I was scared. Don’t make me.
When pressed for why, I gave up the girls.
They were spoken to. I was sent back... every Saturday. Every bit of it just got worse. And worse.
But it didn’t matter. It’s not like I was safe anywhere else. The majority of the gang rape—five, six boys plus my brother—happened while 8-20 adults were upstairs. I was alone with them down there. I still remember the way the laughter sounded through the floor. The dining room was directly above where they would strip me.
Which one, faced with all these in my mind?
What do I rub his nose in.
How many years could he have stopped?
Why was it never questioned, leaving a preschool aged girl in a basement full of young teenaged boys while the upstairs roared with wine and revelry?
Yeah. I have plenty of f*cking worlds.
You know,
@new gamma rays, you’ve given me a truly excellent idea for how to craft this project. How to plunge him in. How to make him walk through the fire he left me in to burn forever.
I’ll curate all nine layers of Hell.
f*cking watch me.
I don’t have to view my truth silently, alone, politely. I don’t have to be the only witness.
He saw it?
And he did nothing?
He said he wasn’t sure what he saw.
I can help with that.
Wait till he feels the textures I can render.
Maybe it’s his turn to know what it’s like to choke on a dick.
To carry the smell in his nose forever.
To see a child’s plastic screwdriver and know how badly it can hurt a little girl.
To reach up and turn the lock on the door obediently, as a matter of routine, glimpsing me in the full length mirror hanging next to my three, maybe four-year-old face.
The way I have no clothes, and neither does my brother laying on his back on the bed.
Taking it in as I turn and know already what to do.
How high up the bed is.
How I balance my tiny hands on his chest, the curtains pulled, seeing the warm lamplight turn our bare skin different shades of yellow, as I center myself, too small to touch the mattress with my feet, before everything goes completely blank.