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Rose White
VIP Member
I was listening to poet Saul Williams today and he referenced a book of essays by his teacher, playwright Pearl Cleage called “Mad at Miles”, which is a kind of handbook for women in abusive relationships. In it she writes, “I cannot listen to the muted tones of Miles Davis’ trumpet without hearing the muted screams of the women he was notorious for beating and abusing.”
It made me think of this thread. Saul said, “It was a lesson in drawing a line between a man and his music.” He talks about being a critical listener and how that “doesn’t necessarily reflect prudishness, it simply opens the gates of considering whether a song or moment is worth it. You develop a radar and are perhaps less shocked as abusers often tell you who they are.”
I find that kind of true. When I reflect on famous people who were caught abusing they *did* often tell about it ahead of time. Like Louis C.K. and R. Kelly.
It made me think of this thread. Saul said, “It was a lesson in drawing a line between a man and his music.” He talks about being a critical listener and how that “doesn’t necessarily reflect prudishness, it simply opens the gates of considering whether a song or moment is worth it. You develop a radar and are perhaps less shocked as abusers often tell you who they are.”
I find that kind of true. When I reflect on famous people who were caught abusing they *did* often tell about it ahead of time. Like Louis C.K. and R. Kelly.